Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said
From the 17th through the 19th century, artists in Kyoto and Edo (now Tokyo) captured the metropolitan amusements of the floating world (ukiyo in Japanese) thro
This work discusses the art of the Japanese tattoo in the context of Ukiyo-e, focusing on the parallel histories of the woodblock print and the tattoo.