This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. Duchamp's alternative view of modern art is

A pragmatist conception of artistic form, through a study of the painter Gerhard Richter. In this study of the practice of contemporary painter Gerhard Richter,

Why the world of today is like it is, and why it will continue to be characterized by these events for many years to come. This is elucidated by the selected "j