This book is the first comprehensive analysis of the contemporary representation of the author on screen. It does this through two main approaches: by looking a

&‘If you decide to adapt a classic or much-loved book, your working maxim should be, &“How will it work best as a film?&” However faithful it is to the or

Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and lite

Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban fil